Observations From a Different Kind of Person
On Wednesday, I made a valiant attempt to discretely ask about the painting. The actor playing one of the leads is super-nice, and definitely has been involved in quite a few shows with this company. So I tried to ask if there was a master painter, scenographer, or just know-it-all painter already around the troupe. But I was too discrete, I suppose, so I had to spell it out.
“I really love painting, and I think I’m pretty good at scene-painting. I just want to know if there’s someone I should make sure to defer to, or if I can take some control on that.”
She called over the producer to ask if a certain person was involved in the production. He said he was not, and asked why. This started a conversation that ended with me volunteering to paint approximately 50 square feet of faux marble.
I was thinking about it for the rest of the week. I knew this was my opportunity to impress or be ignored. At least in the tech-related area. So I basically day-dreamed of exactly how it would look, and how I would accomplish it.
Sunday came around, and after church I only had a few minutes to grab some food before I headed over to the hall (which is part of a local church) for 1:30. I had hoped that I’d have time to run to Home Despot (yes, I mean “despot” — until the gigantic Lowes is built, they are a nasty monopoly in my area, so I like to think of them as a tyrant — yes, I’m crazy.), but things happened, and I was just starting my car at 1:25. So I drove straight on over to the church hall.
No one was there.
I rolled my eyes, and just got right back in my car and took off for the Despot. Later, I would find out that the producer had sent an email out pushing back the start time to 2:00.
The big orange store in my area happens to have paint supplies right by the door. That was exciting to me, because I didn’t really want to run all over the store looking for them. I snagged a plastic pail, and started rummaging through the sponge box. I found one that might be okay, but then saw a box containing a starter kit claiming to have an “extra large natural sponge” as well as a VHS tape with instructions on how to faux. I threw the kit under my arm, and went looking for a brush or ten.
I have never used a proper brush to paint a set before. This is mostly a lack of trust. I never really trust people to properly care for a good brush. So I’m used to leaning down to the bins on the bottom and picking up the 50 cent crap. But that day, I was on a mission for a good quality set of brushes for me and me alone. I picked out some that claimed to be “professional” in a 4″, 2″, and 1″ size. I also snagged a package of detail brushes, which contained 5 little brushes and cost less than the 1″ professional brush.
Self check-out is awesome.
When I got back to the hall, at about 2:00, the producer and one of the important-board-member-types were opening things up and chatting about the plan for the day. I wandered in with my bucket full of paint supplies, and the producer was ecstatic to see I had them. The first phase of any set-build day began.
The producer had been bringing in flats and platforms with his jeep all week long, so most things were actually already there. It is nice to have a head start. But that first phase, of pulling out everything, looking at it, and heaving a great, big, “gosh I have a lot of work to do” sigh — that’s a key phase.
The producer started pulling out gallons and gallons of leftover paint. We went through them looking for black and white. No black was to be found, they had used it up on the last set, but a pretty serviceable dark grey seemed appropriate. I also picked out a lovely lavender.
Of course, the one thing that wasn’t ready to be painted needed to be marble… but I forgave him. I tried to find other things to do, before I realized that he also wanted one of the platforms done as well. Fabulous. Paint, paint, paint!
An overview of my painting behavior:
- My arm is speedy.
- With a good brush, I can paint faster than most people can roll.
- But it will be messy.
- Drop clothes are necessary.
- Buckets of water for sponging are a requirement.
- I never leave a brush with paint on it.
- I obsessively wash out my brushes and sponges.
- I have a hard time stopping: “Just one more stroke…”
- I pretend to be modest.
That last one is pretty important. My modesty in the realm of faux painting is minimal at best. I know I’m good. And I was doing my best job to make sure my new theatre group would know it too.
But all that wasn’t what I originally set out to write about today. The real story was in my watching people who I’d never worked with before. It’s weird. They aren’t at all like WPI theatre geeks.
| WPI theatre geeks | Community theatre geeks |
|---|---|
| The producer is tired because she majors in something like chemical engineering, and was up late working on differential equations or something. | The producer is tired because he was working Faneuil Hall the night before selling his sausages to drunks, making a killing from the 2 AM crowd. |
| There is no end of people willing, able, and excited to work with lights, sound, or anything electronic. | The producer suggests going to get the lights out and everyone groans. |
| The set design was done in several steps, ending with a CAD drawing with precise measurements and angles. | The set design was done in pencil on a piece of paper, which the designer accidentally left at home, and no one is really sure what angle to put the wall at. |
| “Where is the set design? I want to double-check something.” | “Where is the set designer? When will he be back? I guess we’ll just hold this up here until he gets back.” |
| Half the people at build have a measuring tape, and the other half is constantly borrowing it. | There isn’t a measuring tape to be seen, and the closest thing is a twelve inch plastic ruler which is being used to measure wall paper. |
| Faux paint everything. | Wall paper bricks (which, by the way, look awesome, so I guess I have learned something). |
| Nearly every person at set build knows how to operate at least a screw gun, if not an air-compressor-driven bolt gun. | Hand screw drivers seemed to be the preferred tool. |
| Plastic drop cloths on every surface except where the paint ends up flying to. | A piece of fabric that we pretend is a drop cloth, even though it seems obvious to me (and I was right) that the paint will soak through and stain the floor. |
| Logical measuring of things to make sure everything will fit together is the norm. | Trial and error as a method where we can hope it will eventually fit. |
| “If you aren’t doing anything, follow me down to do some heavy lifting right now!” | “All men, if you don’t mind, please come with me to do some heavy lifting.” |
But, there were some similarities. There were still “I love paint” people (covered in paint up to our elbows), “paint is okay” people (daintily wielding a brush), and “paint is disgusting” people (staying as far away from all paint-related things). There were still “I’ll hold anything” people (who don’t want to do anything but hold up the wall), “give me that screw gun” people (who like playing with tools), “I’ll climb that ladder” people (who aren’t nervous about heights at all), and “I don’t mind scrubbing the floors” people (who feel responsible for other peoples’ dropped paint). The flats are 4 feet wide, as a general rule. The French doors are hand crafted and temperamental. No one wants to do props. And pizza is considered fuel.
It’s just like home… if home were in an alternate universe.